| 2009 |
- “Towards Readiness”, MFA Thesis Show, VAF Gallery @ UCSD, La Jolla, California.
- “I Feel Different”, curated by Dr. Jennifer Doyle, Los Angeles Contemporary Exhibitions, Los Angeles, California.
- “Between History and Memory”, curated by Paula Katz, Herron School of Art and Design, Indianapolis, Indiana.
- “Camuflages”, curated by Maite Mendez Baiges, La Casa Encendida, Madrid, Spain.
- “Le Flash”, Atlanta Celebrates Photography, Marcia Wood Gallery, Atlanta, Georgia.
- “Palimpsest Portraits”, Marcia Wood Gallery, Atlanta, Georgia.
- “GLAMFA 2009”, California State University Long Beach, Long Beach, California.
- “Civic Statues Unfrozen for One Hour: Clothed Women and Unarmed Men”, curated by Anne Bray, Eighteen-Thirty, Los Angeles, California.
- “Magnetic Landscape”, curated by Hannah Israel and Kristen Miller Zohn, Columbus Museum, Columbus, Georgia.
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| 2008
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- “Hollywould”, LA Freewaves 11th Festival of New Media Arts, Los Angeles, California.
- “Overlaps”, curated by Kate Longley, San Diego, California.
- “This Just In”, Marcia Wood Gallery, Atlanta, Georgia.
- “Gnomon”, Railroad Earth, Atlanta, Georgia.
- “Electro-Scuro”, Atlanta, Georgia
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| 2007
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- “click/shift/enter”, Marcia Wood Gallery, Atlanta, Georgia.
- “Insatiable Streams”, BS1 Contemporary Art Center, Beijing, China
- “Two Nights of Film Projection – Second Nature”, Fette’s Gallery, Los Angeles, California.
- “Fingers + Codes: The Contemporary Portrait”, curated by Alyson Laura, Eyedrum Music and Art
Gallery, Atlanta, GA.
- “Recordings”, curated by Stuart Horodner, Atlanta Contemporary Art Center, Atlanta, Georgia.
- “The Perpetual Body”, curated by Chris Burkowski, [PAM] Cinema-Scope, Scope New York, New York.
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| 2006
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- “Monica Duncan : Video Work”, curated by Aaron Miller, “[PAM] Cinema-Scope Best of the Best”,
Scope Miami, Miami, Florida.
- “AUX”, Athica Arts Center, Athens, Georgia.
- “Land-Tracking-Land”, curated by Aaron Miller and Monica Duncan, Rochester Contemporary Art
Gallery, Rochester, New York. (www.land-tracking-land.org)
- “Glitch”, curated by Dan Bayles, Douglas Green Anna Kim, Lara Odell, Gina Osterloh, Marco Rios,
Eusebio Travis Sevilla, Jeff Sheng, Kristine Thompson, and Gordon Winiemko, LACMA, Los Angeles, California.
- “Technologized Bodies/Embodied Technologies”, curated by Dave Burns and Legier Biederman, Boston CAA Conference at Art Interactive Gallery, Boston, Massachusetts and Silverlake Film Festival, Arclight, Hollywood, California.
- “Resolutions ‘06”, curated by Joanna Raczynska, Hallwalls, Buffalo, New York.
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| 2005
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- “Local Lightworks”, curated by Shana Wood, Eyedrum Music and Art Gallery, Atlanta, Georgia.
- “Sound in Video”, curated by Alexandra Lakin, OASIS Informal Screenings at ZKM, Karlshrue, Germany.
- “Celebrating Women” curated by Maiza Hixon, Fraizer Museum and Norton Pavilion, Louisville, Kentucky.
- “Regarding One Hundred”, Atlanta College of Art Gallery, Atlanta, Georgia.
- “Eight Women: The Art of Collaboration”, Watertower Gallery, Louisville, Kentucky.
- “Depth Analysis”, Raid Projects, Los Angeles, California.
- “Evidence”, performance installation, Eyedrum Music and Art Gallery, Atlanta, Georgia. A reprise
was performed for “Beyond/In Western New York 2005”, Burchfield-Penny Art Center, Buffalo, New York.
- “Evolutionary Girls”, A/V Space, Rochester, New York.
- “Eight Women: The Art of Collaboration”, Watertower Gallery, Louisville, Kentucky.
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| 2004
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- “Celebrating Women”, curated by Boshko Boskovic, Norton Pavilion, Louisville, Kentucky.
- “Faculty Exhibition”, Atlanta College of Art Gallery, Atlanta, Georgia.
- “Everything is Voltage Controllable”, Fusion Home, Louisville, Kentucky.
- “Digital Salon”, Art Mission, Binghamton, New York.
- “Ladyfest Ohio”, Columbus, Ohio.
- “Cinema Anonymous”, Clifton Center, Louisville, Kentucky.
- “Wings 10 x 10”, Glassworks, Louisville, Kentucky.
- “Borderlands”, Evolutionary Girls Club Exhibition, Carnegie Art Center, Tonawanda, New York.
- “The Unprofessionals”, curated by Lindsay Sampson, screenings in Chicago, Illinois, Buffalo, New York and Pittsburgh, Pennsylvania.
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| 2003
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- “Video Paintings” Smart Wall, School of Art and Design NYSCC at Alfred University, Alfred, New York.
- “Visiting Artist Lecture and Screening”, University of Louisville, Louisville, Kentucky.
- “New Video Works”, curated by Kim Beck, Memphis Brooks Museum of Art, Memphis, Tennessee.
- “Emerging Filmmakers Series”, Little Theater, Rochester, New York.
- “init.two”, Visual Studies Workshop Galleries, Rochester, New York.
- “Video Paintings” Smart Wall, School of Art and Design NYSCC at Alfred University, Alfred, New York.
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| 2002
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- “Examinants”, curated by Caroline Koebel, Centro de Desarrollo de las Artes Visuales (CDAV), Havana, Cuba.
- “Impatient Pixel,” collaborative works included in Lara Odell’s solo show, Big Orbit Gallery, Buffalo, New York.
- “In Western New York 2002”, Albright Knox Art Gallery, Buffalo, New York.
- “Evolutionary Girls”, Squeaky Wheel Media Resources, Buffalo, NY; Europride 2002, Cologne, Germany; Moon bow festival, Stockholm, Sweden; Rivinvali ri, Helsinki, Finland.
- “Video Collaborative”, curated by Peter Baldes, Virgina Museum of Fine Arts, Richmond Virginia.
- “V-Day” installation with Amy Karle, SMART WALL, School of Art and Design, NYSCC at Alfred University, Alfred, New York.
- “Prominence 2002”, curated by Amy Karle, School of Art and Design, NYSCC at Alfred University, Alfred, New York.
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- Diana McClintock, “Palimpsest Portraits,” Art Papers, Nov./Dec. 2009 issue
- Erin Bransford, “Atlanta’s Emerging Artists,” Jezebel Magazine, March 2007 issue
- "City Choice," City Newspaper (Rochester, New York), October 18, 2006.
- Diane Heilenmen “Ideas Inform Images in Two Exhibits,” The Courier-Journal, July 3, 2005
- Tamara Ikenberg, “Girls on Film,” The Courier Journal (Louisville, Kentucky), July 15, 2006
- Judith Edgerton, “Short Takes,” The Courier Journal, April 25, 2004
- Caroline Koebel, “Impatient Pixel,” Art Papers, Sept./Oct. 2002 issue
- “City Haul,” The Buffalo News (Buffalo, New York), August 11, 2002
- Richard Huntington, “The Essence of WNY,” The Buffalo News, August, 2, 2002
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